有哪些经典语录让人落泪？

小时候，谁都觉得自己的未来闪闪发光，不是吗？但是一旦长大，没有一件事会遂自己的心愿——被嫌弃的松子的一生。

小时候，喜欢偷偷穿妈妈的高跟鞋，走起路一扭一扭，头发扎的乱七八糟，脸上蓝色的眼影，嘴上的口红像是马蜂蜇了的香肠嘴，镜子里的自己沾沾自喜，觉得美的不可方物。可是现在的自己呢？多想素面朝天，自由自在，可是以往化妆的新鲜感没了，取而代之的是给自己化一层厚厚的盔甲和伪装的无力感。每天晚上父母的呢喃和睡前故事，变成了闹钟不停的滴答滴答和空无一人的孤独感。

之前的我信誓旦旦的对着妈妈说：以后，我要做一个很厉害很厉害的人。可是现在，我避而不提过去的宏图大志，那个时候简单而又纯粹的我，早已经被这个社会同化，不再抱有希望，为了活着而活着。想起之前，我曾经问过我的妈妈日复一日的做一件枯燥的事情，会不会感觉到无聊。妈妈说，我长大了就会明白，不是我想做什么，喜欢做什么，就能最什么的，人，为了能够生活，什么都是可以做出来的。

那个时候的我是嗤之以鼻的，我觉得我会是最特别的那一个，要让妈妈刮目相看。可是再特别的我在这个世界眼里也不过是最普通不过的一个。长大，真的不好。为了生计奔波，我甚至都有些羡慕那些捉迷藏的小屁孩，玩够了，小跑着回家，妈妈做好了热腾腾的饭，爸爸给他买了喜欢很久了的玩具。然后做一个甜甜的梦，安心入睡。

长大了，也终于知道了夜有多漫长，有时候压力大的我，睡不着。要么是噩梦连连，好多次，都是梦见之前的自己，那个大言不惭的夸口以后要做一个厉害的人的我，眼里闪着光。醒来之后，落差太大，以至于我要缓好久。什么时候开始，我竟是熬夜上瘾，因为无事可干，反而睡不着。

再也没有什么让我像个孩子似的开心好久，妈妈怕我辛苦，总是电话来叮嘱我，出门在外，照顾好自己，不要逼自己，累了就回家。可是，都是个大人了，我还能缠着妈妈给我买这买那吗？爸妈这个年纪，我实在不忍心看到他们唉声叹气的样子。他们总是这样，把我的没出息怪在他们的身上。话里话外说自己没能，儿女跟着吃苦受累。

我一个人在外也好，起码他们以为我能会过得很好，每次我都安慰妈妈说：我怎能让自己吃苦呢？我这么娇弱的人。挂了电话，我哭的泪流满面。本以为我觉得自己一点不委屈，可是妈妈几句话，我有种想要倾诉一番的欲望，可是我忍住了。我不能如此不孝啊，本来她就已经足够难过了。

我怕我回到家，一无所成。我更怕打自己的脸，那句豪言壮语没有实现，我怎有颜面面对江东父老。我会恨这世间一波三折太多，恨这现实唯独刁难我，恨当初的年少轻狂，可是现状让我哑口无言。我终于明白了，黑夜里眼泪才能肆虐的流，眼泪是见不得光的。叫苦连天这个世界是听不到的，它是聋的。你鼻青脸肿，它也看不见，它是瞎的。

长大了，才明白，没有东西能入我的愿，要么我俯瞰着地，要么我仰望着天。

求一篇介绍宫崎骏英语短文。

Gre of the Fireflies (火垂るの墓, Hotaru no Haka?) is a 1988 animated film written and directed by Isao Takahata .

This is the first film produced by Shinchosha, who hired Studio Ghibli to do the animation production work. It is an adaptation of the semi-autobiographical novel of the same name by Akiyuki Nosaka, intended as a personal apology to the author's own sister.

Roger Ebert considers it to be one of the most powerful anti-war movies ever made. Animation historian Ernest Rister compares the film to Steven Spielberg's Schindler's List and says, "it is the most profoundly human animated film I've ever seen."

风之谷:Nausica? of the Valley of the Wind (Kaze no Tani no Naushika, ), was an adventure film that introduced many of the themes which recur in later films: a concern with ecology and the human impact on the environment; a fascination with aircraft and flight; pacifism, including an anti-military streak; feminism; and morally ambiguous characterizations, especially among villains. This was the first film both written and directed by Miyazaki. He adapted it from his manga series of the same title, which he began writing and illustrating two years earlier, but which remained incomplete until after the film's release.

Following the success of Nausica? of the Valley of the Wind, Miyazaki co-founded the animation production company Studio Ghibli with Takahata in 1985, and has produced nearly all of his subsequent work through it.

Miyazaki continued to gain recognition with his next three films. Laputa: Castle in the Sky (1986) recounts the adventure of two orphans seeking a magical castle-island that floats in the sky; My Neighbor Totoro (Tonari no Totoro, 1988) tells of the adventure of two girls and their interaction with forest spirits; and Kiki's Delivery Service (1989), adapted from a novel by Eiko Kadono, tells the story of a small-town girl who lees home to begin life as a witch in a big city. Miyazaki's fascination with flight is evident throughout these films, ranging from the ornithopters flown by pirates in Castle in the Sky, to the Totoro and the Cat Bus soaring through the air, and Kiki flying her broom.

红猪:Porco Rosso (1992) was a notable departure for Miyazaki, in that the main character was an adult male, an anti-fascist iator transformed into an anthropomorphic pig. The film is set in 1920s Italy and the title character is a bounty hunter who fights air pirates and an American soldier of fortune. The film explores the tension between selfishness and duty. The film can also be viewed as an abstract self-portrait of the director; its suext can be read as a fictionalized autobiography.[citation needed] Like many of his movies, it is richly allusive and generates a lot of its humour and charm out of its references to American film of the 1930s and 1940s. Porco Rosso, for instance, owes much to the various screen personae of Humphrey Bogart.

哈尔的移动城堡:In July 2004, Miyazaki completed production on Howl's Moving Castle, a film adaptation of Diana Wynne Jones' fantasy novel. Miyazaki came out of retirement following the sudden departure of original director Mamoru Hosoda[5]. The film premiered at the 2004 Venice International Film Festival and won the Golden Osella award for animation technology. On November 20, 2004, Howl's Moving Castle opened to general audiences in Japan where it earned1.4 billion in its first two days. The English language version was later released in the US by Walt Disney.

本文到此结束，希望对大家有所帮助。